Sittingpretty at the top of the heap in the Modern Collection is the Les Paul Modern. During Henry Juszkiewicz's reign, this model would probably have been called the 2020 Les Paul Standard - it certainly inherits a few features from some of Gibson's more experimental riffs on the 'Standard' theme.
The2019 Les Paul Standard '50s & Les Paul Tribute are proof that with its Original and Modern ranges, Gibson is serious about its heritage and future. Review: Gibson 2019 Les Paul Standard '50s & Les Paul Tribute. From the Original and Modern Collections comes a pair of new production Les Pauls that might just prove less is more. By.
TheBest Electric Guitars with P90 Pickups. Yamaha PAC611HFM Pacifica - Editor's Pick. Epiphone Les Paul Special I P-90 Limited-Edition - Budget Pick. Epiphone SG Special P-90 - Best Under $500. Gibson Les Paul Special Tribute P-90 - Best Under $1,000. Gibson Les Paul Standard '50s P90 - Premium Pick. Gretsch Guitars G2622T-P90
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. If youâre wondering whether getting the Gibson Les Paul Custom is a good idea or not, donât worry â youâve come to the right place! In todayâs in-depth review, Iâm going to take a very close look on that popular high-end model. Itâs quite expensive, but is it actually that good?The answer is YES! Gibson Les Paul Custom offers a truly exceptional quality. It definitely looks, feels and sounds like an axe from the highest shelf. Surely, all guitarists will be extremely happy after adding it to their own guitar dive deeper with research to find out what exactly makes the LP Custom so good and so popular. Firstly, weâll start with a quick overview of the specifications of that model. Additionally, weâll compare it with a few other Gibson and Epiphone guitars and weâll have a look at the biggest pros and cons of that â Specs & PricingGibson Les Paul Custom is a high-end electric guitar designed for the most demanding guitarists out there. In fact, this is one of the most popular premium models manufactured by this brand!What makes it so cool? Well, the guitar features a solid mahogany body with a maple top. It also has a comfortable mahogany neck with an easy-playing ebony fretboard. This is a big advantage of that model, because it allows you to practice and shred for several hours without getting decided to equip this model with a pair of superb pickups 498T and 490R humbuckers. They sound absolutely amazing and theyâre really versatile. No matter whether youâre into jazz, rock or metal, you can be sure the responsiveness of these pickups wonât let you is also worth mentioning that Gibson Les Paul Custom looks absolutely amazing too. Itâs clearly visible that this is an expensive, high-end guitar. On top of that, this axe has a wonderful nitrocellulose lacquer finish which enhances the tonal qualities of that it comes to pricing, letâs be honest â itâs a really expensive guitar. Itâs significantly more expensive than other popular models made by Gibson such as Gibson LP Tribute, Standard â50s or Standard â60s. However, in my opinion itâs not overpriced at all. The best gear in the world is never cheap!Hereâs a quick sound demo â feel free to check it out The PickupsAs youâre already aware, Gibson Les Paul Custom has a pair of two amazing pickups498T humbucker bridge490R humbucker neckBoth of them are equally awesome, but thereâs a few things that differentiate them. The 490R humbucker sounds really close to the original PAF, so it has a subtle upper-mid bump which results with an extraordinary clarity and definition. Itâs fantastic for all rhythm guitar the same time, the 498T humbucker puts more emphasis on the mids and highs, so itâs an ideal choice for crunchy riffs and screaming solo leads. The sustain of that pickup is out of this world, so itâs a perfect choice for heavier styles of The HardwareThe manufacturer equipped the Gibson Les Paul Custom with the Tune-o-matic bridge with a stopbar tailpiece and Grover Kidney tuners which guarantee a really good tuning stability. This is really important, especially when youâre often performing course, thereâs also a classic 3-way toggle pickup switch along with two volume and two tone & ConsJust like any other electric guitar available on the market, Gibson Les Paul Custom has its own advantages and disadvantages. Thatâs totally normal! However, it seems pretty clear that the cons of that axe are really subjective, because itâs pretty much a flawless BeautifulSounds FantasticFeels GreatHardshell Case IncludedPerfect For ProfessionalsHigh PriceAs you can see, there are a lot of things that can be considered as major advantages of that guitar. Gibson Les Paul Custom looks, sounds and feels like a real piece of art. It exceeds all the expectations and itâs perfect for professional guitarists. Additionally, it comes with a top quality hardshell case. Who needs anything else?The main disadvantage of this Gibson guitar is the undeniably high price. This is probably the biggest obstacle that you may face if youâre thinking about adding it to your own collection. Surely, not many guitarists will be able to get it straight away without having to save up for a long even though itâs an expensive guitar, itâs totally worth it. Iâm sure that anyone whoâs searching for a high-end axe will be really satisfied after choosing the LP Custom. Itâs a dream guitar!Hereâs an another Is It For?Gibson Les Paul Custom is suitable for guitarists of all levels. You donât have to be an experienced player to notice the uniqueness and the exceptionally high quality of that since itâs a really expensive guitar, itâs mainly recommended for intermediate and professional is a fantastic instrument to record and gig with. If youâre searching for a new guitar to record your next album with, Gibson Les Paul Custom is a safe bet. It cuts through the mix perfectly!Of course, just like any other classic Les Paul model, this is a fantastic axe for rock and metal genres. Whether youâre a rhythm or lead guitar player, you will definitely enjoy the versatility of these 490R and 498T Iâm positive that the vast majority of guitarists will really enjoy playing on that high-end model. Thereâs just nothing to complain about apart from the high price. Itâs a flawless axe which is a true piece of art!Gibson Les Paul Custom vs Epiphone Les Paul CustomAs youâre already aware, Gibson Les Paul Custom is not a cheap guitar, so not everyone can actually afford it. Thatâs why a lot of guitar players decide to choose a much more expensive Epiphone Les Paul Custom. But can it actually compete with that high-end Gibson?The truth is that Gibson Les Paul Custom is a better guitar, but it doesnât mean that the Epiphone model is bad. In fact, Epiphone Les Paul Custom offers a surprisingly good value for the price difference between these two guitars is clearly visible. The LP by Epiphone is not premium, but it still offers a really good quality for the money. If you would put the same pickups 490R and 498T into this model, it would sound very close to the Gibson LP you can see, it all depends on the size of your budget. If you donât want to spend too much on a new guitar, choosing the Epiphone will be a really good idea. But if youâre searching for a guitar from the highest shelf, you should definitely try the Custom axe by a really good video that compares the tone of Gibson and Epiphone Les Paul Custom models â feel free to check it out Les Paul Custom vs StandardIf youâre not satisfied with getting a guitar made by Epiphone, the chances are that you want an axe with a Gibson logo on the headstock. However, the LP Custom is not the only one good model made by brand â quite often, guitarists choose the LP truth is that itâs really difficult to clearly determine which one of these models is better, because they sound a bit differently. In my opinion, the LP Custom has a bit warmer and deeper LP Standard is also cheaper, so if youâre not okay with spending such a huge amount of money on getting a Custom model, it will be a good fit for the difference between Gibson and Epiphone Les Pauls was clearly visible, the difference between the Standard and Custom models isnât that obvious. It all comes down to your own personal a great video that compares the tone of Gibson Les Paul Custom and Gibson Les Paul Standard â feel free to check it out Alternatives?If youâre not satisfied with the overall quality of Gibson Les Paul Custom and you have a feeling that it wonât be a good fit for you, thatâs not a problem! Thereâs still a lot of fantastic electric guitars out there that also deserve a lot of course, choosing a brand new axe will depend on your own preferences and most importantly, on the size of your budget. Still, hereâs a few other models that you may also Option 1 â Gibson Flying VGibson Flying V is an another fantastic high-end electric guitar suitable for rock and metal music. It looks completely different than the Gibson Les Paul, but itâs still absolutely guitar features a lightweight mahogany body, a SlimTaper mahogany neck and easy-playing rosewood fingerboard. Gibson also equipped this model with a pair of great sounding Burstbucker humbuckers. Surely, all lovers of heavier music genres will be in love with their important, the Flying V is significantly more affordable than Gibson Les Paul Custom. Itâs not a cheap guitar, but it will be definitely much easier to save up to get that particular not everyone likes that kind of body shape, itâs definitely one of the most legendary guitars of all time. I have no hesitation in recommending the Flying V to all guitarists who are searching for a high-end axe suitable for rock and Option 2 â ESP LTD EC-401ESP LTD EC-401 is an another really good electric guitar designed for the most demanding guitarists out there. This is a mid-level axe, so itâs not a high-end model. But at the same time, itâs far more affordable than Gibson LP manufacturer equipped that model with a pair of really good EMG pickups â EMG 60 & EMG 81. These humbuckers are perfect for fat, crunchy riffs and fast, melodic solos. If youâre into shredding, this guitar will be a perfect fit for is it for? Well, Iâm sure that any enthusiast of rock and metal music will be really happy after adding this guitar to their own collection. It has everything you need â a great tone, a stunning look and a very comfortable feel. On top of that, itâs not that expensive. Who needs anything else?Alternative Option 3 â Epiphone Les Paul VEEpiphone Les Paul Special VE is one of the cheapest Les Paul guitars that you can currently find on the market. Of course, it canât really compete with Gibson Les Paul Custom, but itâs still a really good choice for someone with a very low you donât want to spend too much on a new gear or if youâre an absolute amateur, this guitar will be an excellent fit for you. I had the pleasure to test it out on my own and I was particularly impressed by the comfortable neck of that axe. It has a satin finish which significantly enhances the overall humbuckers used in that model are pretty basic, but they do the job very well. Surely, if youâre just starting out, this guitar will be more than enough for you. Thatâs why I highly recommend checking it out!FAQWhere are Gibson Custom guitars made?Gibson Custom guitars are manufactured in the United is the scale length of that guitar?The scale length of that guitar has can I find out more about Gibson guitars?If you want to learn more about the guitars made by this legendary manufacturer, make sure to visit the official website of you can see, Gibson Les Paul Custom is an absolutely amazing high-end electric guitar. I have no hesitation in recommending this model to all guitarists who are looking for a premium axe suitable for live performances and studio sessions. Thereâs an extremely high chance that it will be your favorite do you think of that model? Do you think that high-end Gibson are overrated? Leave a comment down below and let me know what you think, Iâm really interested to hear your thoughts about it!Thanks for checking out todayâs review, hopefully it was helpful and you found what you were looking for. If you enjoyed this article and youâre searching for more gear recommendations, you may also like10 Best Gibson Acoustic Guitars [2022 GUIDE]Gibson Les Paul Standard â50s â Is It Worth It? [REVIEW]Gibson Les Paul Tribute â Is It Good? [REVIEW]
Home Features Image credit Future The Gibson Les Paul - the guitar, the myth, the legend. This genuinely iconic electric guitar has had a rather large hand in shaping rock 'n' roll ever since it was released way back in 1952. Many of the biggest axe-wielding stars from Slash and Gary Moore to Billy Gibbons and Jimmy Page have opted to make this single-cut beauty their number one guitar and, as a result, have firmly cemented Les Paul's place in music history. With the Les Paul being so popular for so long, it would stand to reason that there's a myriad of different options available. We know this can get a little confusing. Thatâs why we've put together this handy guide to the best Les Pauls you can buy right now, at various price points. We have also listed them in order of series, from the budget-friendly Epiphone to the high-end Murphy Labs custom shop model, to make it a little easier to navigate. We know that the guitar marketplace is awash with incredibly well-built single-cut guitars, from the likes of PRS, Heritage, and ESP, to name a few. Still, weâre solely focussing on Gibson/Epiphone for this article. So, with that being said, letâs dive into our Gibson Les Paul buyerâs guide right now. Best Gibson Les Pauls Our top picksIt's hard not to recommend every Les Paul, but it would undoubtedly be the Gibson Les Paul Standard '60s if we have to pick just one. This is the flagship offering from Gibson, and it's hard to beat. It looks stunning, plays like a dream, and most importantly, sounds killer. For the financially savvy, we recommend checking out the Gibson Les Paul Special Tribute Humbucker. This stripped-back, no-nonsense guitar may not have all the bells and whistles of the Standard but has bags of attitude and a sound to Gibson Les Pauls Product Guide Image credit Epiphone 1. Epiphone Les Paul 50s StandardThe ideal option for beginners or the budget-consciousSpecificationsBody Mahogany/ Maple VeneerNeck MahoganyScale Indian LaurelFrets 22 Medium JumboPickups Epiphone ProBucker 1/2 HumbuckersControls 2 x volume, 2 x tone, 3-way toggle pickup switchHardware LockTone ABR Tune-O-Matic Bridge with Stopbar TailpieceFinish Metallic Gold, Heritage Cherry Sunburst, Vintage SunburstReasons to buy+Looks just like the real deal +Nice feeling neck+Pickups are surprisingly good Reasons to avoid-The thick finish can put some players off If youâve been paying attention, you'll know that Epiphone has gone through a somewhat extensive revamp over the last couple of years, following in the footsteps of Gibson - literally. The new "inspired by Gibson" range takes the much-loved models from their American brethren and makes them more guitar may be the budget option, but it's still a Les Paul through and through. This Epiphone Les Paul features a mahogany body and mahogany neck with a long neck tenon. However, it does sport a maple veneer rather than the solid maple top found on the Nashville counterpart. A significant change for the new model is the Kalamazoo headstock - something Epiphone fans have been crying out for. Gone is the modified Gibson design, in favor of the original headstock that harkens back to Epiphone's past. So if you're looking for the best Les Paul, but you don't want to remortgage the house, this is an ideal option for you! Read our Epiphone Les Paul 50s Standard review Image credit Epiphone2. Epiphone Les Paul CustomThe budget option with a touch of class SpecificationsBody MahoganyNeck MahoganyScale EbonyFrets 22 Medium JumboPickups Epiphone ProBucker 2/3 HumbuckersControls 2 x volume, 2 x tone, 3-way toggle pickup switchHardware LockTone ABR Tune-O-Matic Bridge with Stopbar TailpieceFinish Alpine White, EbonyReasons to buy+Ebony fretboard+Slim neck +Who doesn't like the look of a Custom? Reasons to avoid-Some may consider it expensive for an Epiphone The Les Paul Custom has been a mainstay among rock royalty since it was introduced in 1954. It has been seen draped over the shoulder of Randy Rhoades, James Hetfield, Mick Mars, and of course, Les Paul himself. The Epiphone Les Paul Custom does a great job at re-creating this stunning guitar at a much more wallet-friendly price. The ever-popular 60s slim taper neck is adorned with a genuine ebony fingerboard and large block inlays, resulting in a guitar that plays as good as it looks. It also comes loaded with the Epiphone ProBucker 2/3 humbuckers, with era-appropriate wiring and CTS pots. So if youâre looking for an axe that is dripping with vintage mojo but at an accessible price, then look no further than the Epiphone Les Paul Custom. Image credit Gibson3. Gibson Les Paul Special Tribute Humbucker The back to basics, no-nonsense GibsonSpecificationsBody MahoganyNeck MapleScale RosewoodFrets 22 Medium JumboPickups 490R/490T HumbuckerControls 2 x volume, 2 x tone, 3-way toggle pickup switchHardware Compensated Wraparound BridgeFinish Vintage Cherry Satin, Worn White Satin, Ebony Satin, Natural Walnut SatinReasons to buy+Simple design+Comfortable neck +490T/R pickups Reasons to avoid-Compensated wraparound bridge not for everyone The Gibson Les Paul Special Tribute is a stripped-down rock 'n' roll machine at its heart. This guitar boils down the Les Paul to its most essential elements, making it the perfect option for the player who isn't looking for all the bells and whistles. This modern take on a vintage style Les Paul special comes loaded with the 490R and 490T open-coil humbuckers, which deliver a warm, punchy sound. This simple guitar strays even further from its vintage roots with the inclusion of a maple neck, which offers superb comfort and playability with its rounded edges, as well as added strength. We must say, the Les Paul Special Tribute offers tremendous value for money, giving you the ability to purchase an American-made Gibson guitar for under $/ÂŁ1,000. If you're the type of player who likes a no-nonsense instrument built to melt faces, do yourself a favor and check this one out. Image credit Gibson 4. Gibson Les Paul StudioA reliable studio companionSpecificationsBody Mahogany/Maple TopNeck MahoganyScale RosewoodFrets 22 Medium JumboPickups 490R/498T HumbuckerControls 2 x Push/Pull Volumes Coil-Tap, 2 x Tone, 3-way toggle pickup switchHardware Aluminum Nashville Tune-O-Matic/ StopbarFinish Tangerine Burst, Wine Red, Smokehouse Burst, EbonyReasons to buy+Classic Les Paul tone+Nice finish options Reasons to avoid-We would rather have a case instead of a gig bag Originally conceived as a more affordable, basic version of the Standard, the Les Paul Studio has developed a reputation all of its own since its debut in 1983. The term "studio" comes from the idea that no one cares what your guitar looks like in the recording studio, it's what it sounds like that matters - and this bare-bones guitar sounds like a Les Paul! This simple electric guitar isn't just for the recording studio. Many notable players have used them on tour. You can often see Jade Puget of AFI or Frank Iero of My Chemical Romance putting these guitars through their paces on stages worldwide. The current iteration of the Studio features a rosewood fingerboard and slim taper mahogany neck and a mahogany body with the Ultra-Modern weight relief. The 490R and 498T humbucking pickups provide the high-output you want from a modern Les Paul, and the two push-pull pots offer a coil-tapping option, meaning this guitar is the perfect companion in the studio.Image credit Gibson 5. Gibson Les Paul JuniorThe student model turned punk iconSpecificationsBody MahoganyNeck MahoganyScale RosewoodFrets 22 Medium JumboPickups Dog Ear P-90Controls Volume, 1 Tone Hand-wired with Orange Drop CapacitorsHardware Nickel Wraparound BridgeFinish Vintage Tobacco Burst, EbonyReasons to buy+Classic P-90 tone+Pure simplicity +Comes with a hard-shell case Reasons to avoid-Fat 50âs neck not for everyone When Gibson released their new student model way back in 1954, they could never have imagined that not only would it still be around today, but that it would be a firm favorite of many punk and rock guitar players. This beautifully simple instrument has long been associated with hard-hitting players such as Billie Joe Armstrong of Green Day to Charlie Starr of Blackberry Smoke, and many others. Sometimes simple is better, and this guitar really is as simple as it gets. The single-cut mahogany body houses a solitary dogear P-90 pickup, single volume, and tone control, as well as a vintage-style nickel wraparound bridge. Don't let the lack of features fool you. This guitar certainly packs a punch, and backing off your tone or volume can get a wide range of sounds out of its limited set-up. Image credit Gibson 6. Gibson Les Paul Standard '60sThe Standard by which all others are measuredSpecificationsBody Mahogany/ AA Figured Maple TopNeck MahoganyScale RosewoodFrets 22 Medium JumboPickups Burstbucker 61R/61TControls 2 Volumes, 2 Tones & Toggle Switch Hand-wired with Orange Drop CapacitorsHardware Nickel ABR-1 Tune-O-MaticFinish Iced Tea, Bourbon Burst, UnburstReasons to buy+A joy to play +Stunning looks+Great sounding pickups Reasons to avoid-More finish options would be nice The Standard is Gibson's flagship Les Paul and arguably the most iconic. From its beautiful flame maple top, bound body, and mother of pearl Gibson logo to the throaty mid-range bite of its humbucking pickups, this guitar sounds just as good as it looks. The introduction of the original series saw Gibson go back to what made their guitars so legendary in the first place. No more robot tuners, PCB quick connect pots, or extra wide necks, just simple, elegant guitars. The Les Paul Standard 60's features a solid mahogany body with a stunning AA figured maple top and an incredibly playable slim taper 60's-style mahogany neck with a rosewood fingerboard and trapezoid inlays. The Gibson Les Paul Standard 60's is easily one of the best options if youâre looking for a new Les Paul. This guitar certainly impresses with its beautiful looks and killer tones. So, if you're unsure which is the best Les Paul to go for, you can't go wrong with a Les Paul Standard. Image credit Gibson 7. Gibson Les Paul Standard '50s P-90 Gold TopGibson is going for goldSpecificationsBody Mahogany/Maple TopNeck MahoganyScale RosewoodFrets 22 Medium JumboPickups 2x P-90Controls 2 Volumes, 2 Tones & Toggle Switch Hand-wired with Orange Drop CapacitorsHardware Nickel ABR-1 Tune-O-MaticFinish Gold TopReasons to buy+Who doesnât love a gold top?+Tone for days Reasons to avoid-Avoid if you donât like large necks First of all, how stunning is this Les Paul? This beautiful guitar pays homage to the LPs of the early '50s, without the insane price tag of an original vintage example. Like the 60's Standard, this guitar features a solid mahogany body with a maple top, but this time it comes with a larger 50's-style mahogany neck and a dual set of P-90 pickups. The sweet sound of these pickups is the result of the Alnico V magnets, audio taper potentiometers, and orange drop may not have the budget for an authentic vintage gold top, but you can still get the look and sound with the Gibson Les Paul Standard '50s P-90. Image credit Gibson 8. Gibson Les Paul ModernA modern take on a classicSpecificationsBody Mahogany/Maple TopNeck MahoganyScale EbonyFrets 22 Medium JumboPickups Burstbucker Pro Rhythm/LeadControls 2 Push/Pull Volumes Coil-Tap, 2 Push/Pull Tones Pure Bypass/Phase & Toggle SwitchHardware Aluminum Nashville Tune-O-MaticFinish Faded Pelham Blue Top, Sparkling Burgundy Top, Graphite TopReasons to buy+Modern contoured heel+Cool finish options Reasons to avoid-Traditionalists should avoid Gibson has always been cutting-edge, and the Les Paul Modern proves they are still innovating. This contemporary instrument is loaded with features that take the Les Paul into a new sonic place. This guitar is built for comfort and speed, and the ultra-modern weight relief means this instrument is no longer a back-breaker - read more on our favorite lightweight Les Paul alternatives. The contoured heel joint gives unprecedented access to the higher frets, and the asymmetrical neck profile and compound radius ebony fingerboard give this guitar an incredibly slinky feel, which is a joy to play - especially for fast playing or metal. So if you find yourself longing for a Les Paul with modern playability, then this is definitely the Gibson for you. Read our Gibson Les Paul Modern review Image credit Gibson 9. Gibson Custom Shop 1959 Les Paul Standard ReissueBag yourself a burst⌠for a fraction of the priceSpecificationsBody 1-Piece Lightweight Mahogany/ 2-Piece Figured Maple, Hide Glue FitNeck Solid MahoganyScale Indian Rosewood, Hide Glue FitFrets 22 Historic Medium-JumboPickups Custombucker Alnico III UnpottedControls 2 Volume/2 Tone CTS 500K Audio Taper Potentiometers, Paper-in-Oil CapacitorsHardware Nickel ABR-1Finish Washed Cherry Sunburst, Iced Tea Burst, Dirty LemonReasons to buy+A fantastic replica of a vintage '59+Most comfortable LP neck Reasons to avoid-The price may put a lot of players off -Avoid if you are looking for modern features Often referred to as the "holy grail" of electric guitar, the '59 Les Paul is one of the most coveted instruments of all time, with originals easily going for $/ÂŁ100,000. These guitars were created during Gibson's golden era and have been the weapon of choice for so many rock gods, such as Slash, Jimmy Page, Joe Bonamassa, and Bernie Marsden. If you're anything like us, then you don't exactly have a spare 100k sitting around - and even if you did, there's no way you'd blow it on a single guitar - well, the next best thing would have to be the Gibson Custom Shop 1959 Les Paul Standard Reissue. The clever people over at the Gibson Custom Shop have meticulously recreated every detail of this priceless vintage guitar. From using lasers to scan the original dimensions, to the use of period correct hide glue, and even going as far as to recreate the plastics down to a molecular level, they really have tried to capture every detail of this rare guitar.Image credit Gibson10. Gibson Custom Shop 1957 Les Paul Goldtop Murphy Lab AgedA gold nugget from the golden era of guitarsSpecificationsBody 1-Piece Lightweight Mahogany/ 2-Piece Plain Maple, Hide Glue FitNeck Solid MahoganyScale Indian Rosewood, Hide Glue FitFrets 22 Historic Medium-JumboPickups Custombucker Alnico III UnpottedControls 2 Volume/2 Tone CTS 500K Audio Taper Potentiometers, Paper-in-Oil CapacitorsHardware Nickel ABR-1Finish Double Gold with Dark BackReasons to buy+Absolutely beautiful guitar+As close as you can get to a vintage '57 LP Reasons to avoid-Aged guitars arenât for everyone If you thought the '59 was accurate to its vintage counterpart, then the Murphy Lab takes it to a whole new level. The brainchild of master builder and guitar aging pioneer Tom Murphy, the Murphy Lab has one goal - to make highly precise aged guitars indistinguishable from the originals. If you have ever been lucky enough to play an original gold top, you'll probably have noticed that the finish has cracked. This is referred to as "checking." This is a reasonably common phenomenon found on nitrocellulose finish guitars. The Murphy Lab has managed to expertly recreate the look and feel of this, bringing an air of authenticity to this Les Paul. Even the light aging around the headstock, and yellowing lacquer over the Gibson logo, make this guitar feel like a true vintage example. Weâre well aware that this process isn't for everyone. Still, if you're looking for a custom shop guitar with an added level of detail, then it's worth looking at a Custom Shop Murphy Lab Les Paul. Best Gibson Les Pauls A brief historyImage credit FutureThe Gibson Les Paul has gone through many, many changes over the years. Quite frankly, we don't have time to go through every variation, so let's just discuss the most critical milestones in the evolution of the most famous single-cut guitar of all time. Making its debut in 1952, the "Les Paul Model" was the creation of Ted McCarty, John Huis, and Les Paul. Although there are varying stories about this, depending on who you ask⌠Some say Gibson had the final design before contacting Les, and some say Les came up with the design himself. We know that Les approached Gibson in 1941 with an idea for a solid-body guitar - The Log. Gibson, uninterested at the time, didnât take Les up on his new invention. Fender would ultimately beat them to the punch with the release of the Broadcaster/Telecaster. In an attempt to catch up to their Californian rivals, Gibson needed a solid-body guitar, and they needed it fast. They would eventually team up with the seasoned inventor, and thus, the âLes Paul Modelâ was born. Beloved for their insanely good looks, unbeatable playability, and the definitive Les Paul tone, these guitars sell for upwards of $/ÂŁ100, version of the Les Paul featured a trapeze tailpiece and a set of "soap bar" P-90 pickups. It was also gold - yes, that's right, the first Les Paul models were all Gold Tops. The classic sunburst finish didn't come into production until much later, but weâll get to 1957 the Les Paul went through some significant changes. Now sporting a set of PAF patent applied for humbucker pickups and the far more recognizable Tune-O-Matic bridge and 1959, and 1960 would see the release of the "burst." A group of sunburst Les Paul's that would go on to be among the most sought-after guitars of all time. Beloved for their insanely good looks, unbeatable playability, and the definitive Les Paul tone, these guitars sell for upwards of $/ÂŁ100, with guitars this good, the next few years must have been looking good for the Les Paul? No. It's unfathomable now, but these guitars really weren't that popular back in the day. The sales of the Gibson Les Paul had been steadily declining for years. Gibson needed to do something drastic to keep up with the rising popularity of the Fender Stratocaster. This led us to the Les Paul redesign - the SG. Although still bearing the Les Paul name, the guitar we now know as the SG would take on the mantle for the next few years. Gibson would later re-introduce the Les Paul in its single-cut glory in then, Gibson has been churning out an array of Les Pauls at differing price points, from various factories over the years, from Kalamazoo, Nashville, and Memphis. We could go on all day about the history of the Gibson Les Paul, but let's leave it there and move on to some buying Gibson Les Pauls Buying adviceVintage Gibson Les Paul Gold Top with finish checking Image credit FutureWe know that buying a Les Paul can be daunting. At the end of the day, these are expensive guitars, and you want to make the right choice. Don't worry, we have your back. Here, we will discuss a few things to bear in mind when purchasing your new Les Paul. Les Paul neck profiles You can trust Guitar World Our expert reviewers spend hours testing and comparing guitar products so you can choose the best for you. Find out more about how we you have been looking at Les Pauls for a while, you'll have noticed that Gibson offers different neck profiles. These range from the slim-taper 60's neck to the chunky 50's profile. There is no right or wrong neck for you. It really is a personal preference. Suppose youâre unsure which is suitable for you. In that case, we recommend sticking to the more universally loved '60s profile, as this fits most players' needs. If youâre looking at vintage reissue guitars, you won't get a choice, as they come with the neck profile that is correct for the era it's reissuing. Pickup choice Next, you need to find your sound, and this comes in the form of the pickups in your Les Paul. If you want to nail the searing classic rock tones, then seek out the PAF-style humbuckers. Perhaps you favor the bold attack of the P-90, then it's worth looking at a Les Paul Junior, Special, or '54 reissue. Gibson offers a few Les Paul's with a high-output pickup option for the modern player, perfect for bringing the house down with high-gain riffage. How much does a Gibson Les Paul weigh? It's no secret that the Les Paul is a heavy guitar, but don't worry if back problems are stopping you from getting the guitar of your dreams. Gibson has a few models in their extensive catalog that utilize the "ultra-modern weight-relief." This process is usually found on the "modern" series of instruments. It uses a series of small chambers to keep the weight down and make the guitar more manageable. If youâre a traditionalist, and this sounds like something you'd like to avoid, there are plenty of guitars on offer that come with zero weight relief. Looking after your Les Paulâs Nitrocellulose lacquer All Gibson guitars use nitrocellulose lacquer. Although great for allowing the guitar to "breathe" and aiding in the resonance of the instrument, this finish does have its drawbacks. The main point to remember is that it can react with rubber - especially the rubber on cheap guitar stands! This is called "stand rash" or "nitro-burn" and is basically a chemical reaction between the stand and the guitar. So if youâre looking to have your new prized possession on show, we highly recommend getting a nitro-safe guitar stand. The Hercules brand of stands is our go-to. It's also worth mentioning that dramatic temperature changes can have a detrimental effect on your guitar's shiny new finish, so keep the guitar at room temperature. If you're going from a cold environment to a warm one, then let the guitar acclimatize before opening the case. While you're at it, it's probably a good idea not to get your new guitar wet or feed it after midnight. So there you have it, that's our guide to the best Gibson Les Pauls on the market right now. There is only one last thing to do - crank your Marshall stack, plug in, and let rip! Read more about how how we test products and services and how we make our vs Gibson what's the difference?Check out the best cheap electric guitars under $500Bigger budget? Try the best electric guitars under $1,000Only the best good enough? Explore the best electric guitars under $2,000Complete your rig with the best guitar amps under $1,000Blow the budget with the best high-end electric guitars Thank you for reading 5 articles this month*Join now for unlimited accessUS pricing $ per month or $ per yearUK pricing ÂŁ per month or ÂŁ per year Europe pricing ⏠per month or ⏠per year *Read 5 free articles per month without a subscription Join now for unlimited accessPrices from ÂŁ All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox! First and foremost, I'm a guitar enthusiast â a fanatic, some might say. I'm a firm believer that most of the world's problems can be solved with a Gibson SG and a catastrophically loud amp. As Senior Deals Writer on Guitar World, I write about guitars for a living, but in a past life, I worked in music retail for 7 years, advising customers on the right guitars, basses, drums, pianos, and PA systems for their needs. I also have a passion for live sound; I'm a fully qualified sound engineer with experience working in various venues in Scotland, where I live with my wife and dog. Most Popular
MusicRadar Verdict A Traditional Les Paul in every sense, and one that's bound to please purists. Pros +Tidy build with a most classic feel. +Thereâs no weight relief or compound radius here and appealing beef to the neck shape.+Nicely voiced pickups match the style. Cons -Wouldnât vintage-style wiring be more appropriate here? MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test. While Fender splits its guitars into series and periodically updates or refreshes them, Gibsonâs main USA production division prefers the annual makeover approach. This yearâs line-up was seen by many dealers as a return to form âA new chapter in Gibsonâs illustrious history, with their focus firmly back on crafting only the worldâs finest guitars!â said one. As ever, the Les Paul sits central, with eight models if we count The Paul 40th Anniversary bookended by the start-up double-cut Les Paul Junior Tribute and topped off with the Les Paul High Performance. Add to the list the Les Paul Studio and Studio Tribute, and that leaves us with the three most classic Les Pauls, the Standard, Traditional and Classic. Today, weâre looking at the its name implies, the Traditional is closest to the Les Paul weâve known and loved over the past six and a bit decades and thatâs reflected in its colour options, the only change for 2019. At launch it was offered in Tobacco Burst, Heritage Cherry Sunburst, Manhattan Midnight and Transparent Cherry Red; latterly itâs just the Heritage Cherry Sunburst as here and Tobacco Burst. Check out our pick of the best electric guitarsOutwardly, all three of the 2019 models share the same construction one-piece neck, headstock widening wings and two-piece centre- joined backs, with the maple top grade on the Traditional rated as AA. The Traditionalâs top is not in an ultra-blingy style, with a classic striping that, in this finish, helps this model to edge up on our favourite list before weâve even played a note. The Traditional is old-school with a hand-wired loom and Sprague orange drop caps. It uses Gibson Burstbuckers a 1 and you believe old is best, the Traditional is probably the Les Paul for you. It has no truck with weight relief, and although slightly heavier than our Standard itâs still nicely under 4kg/9lb. The neck, too, will appeal to those players who prefer an older style with more front-to-back taper and a bigger, rounded many ways, the Traditional is the Fender American Original of this interim Les Paul line-up itâs the most vintage spec before you get into the Gibson Custom Historics. It looks great with that deep red âBurst to the front and the lovely red hue to the rest of the guitar, but itâs the simplistic drive that makes it such a pleasure. The crisp, clean acoustic response gets the guitar working as it should with an almost second bloom to the sustain tail - so much a part of this classic design. The Traditional has a subtly, vintage-y voice - snappy with volume reduction and smooth in the highs. Unplugged, the Traditional is a beauty. But itâs more than that the good weight without weight relief , the bigger neck... it feels like a good Les Paul and looks the part. It will no doubt be a while until new Gibsonâ settles in and has a noticeable effect on the instruments we can buy. These interim models, however, are three strong dishes that employ existing features weâve seen before, albeit not in quite the same combinations. With the horrors of roboticâ tuners, over-wide necks and zero frets now pretty much consigned to the past, this Traditional model zones in on the Les Paul in classic might well be a quite historic model, too the end of an era. Just as we conclude our test at the start of 2019, the new Gibson management announced there will apparently be a completely new 2019 range of Classicsâ âDesigns like the Les Paul and the SG once again embrace the features and construction details that made them legends in the first place a Les Paul Standard â50s spec and a Les Paul Standard â60s spec as well as one with P-90 pickups,â says Cesar Gueikian, Gibsonâs chief merchant officer. âThe Contemporary line also introduces a new concept with the Les Paul and SG Modern.â These new ranges âwill be available for purchase later this yearâ. What that means for the original and clearly short-lived 2019 models that are in-store is anyoneâs guess, but we suspect as the year progresses there will be deals aplenty to be had 2018 models are already discounted in many stores. Whatever happens while the dust settles, it looks like 2019 is going to be quite a year for Gibson lovers. Watch this space! Dave Burrluck is one of the worldâs most experienced guitar journalists, who started writing back in the '80s for International Musician and Recording World, co-founded The Guitar Magazine and has been the Gear Reviews Editor of Guitarist magazine for the past two decades. Along the way, Dave has been the sole author of The PRS Guitar Book and The Player's Guide to Guitar Maintenance as well as contributing to numerous other books on the electric guitar. Dave is an active gigging and recording musician and still finds time to make, repair and mod guitars, not least for Guitaristâs The Mod Squad. Most Popular
MusicRadar Verdict A heavyweight LP with a raft of usable tones. Pros +Good build with unshowy plain maple top.+Pickups have a little more kick, plus we get expanded sounds.+Good price. Cons -Over-heavy weight despite the weight relief.-Not everyone likes PCBs and push-fit connectors. MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test. While Fender splits its guitars into series and periodically updates or refreshes them, Gibsonâs main USA production division prefers the annual makeover approach. This yearâs line-up was seen by many dealers as a return to form âA new chapter in Gibsonâs illustrious history, with their focus firmly back on crafting only the worldâs finest guitars!â said one. As ever, the Les Paul sits central, with eight models if we count The Paul 40th Anniversary bookended by the start-up double-cut Les Paul Junior Tribute and topped off with the Les Paul High Performance. Add to the list the Les Paul Studio and Studio Tribute, and that leaves us with the three most classic Les Pauls, the Standard, Traditional and Classic. Today weâre looking at the Classic is a catch-all name and for 2019 swaps its 2018-spec dual P-90s for â61 Zebras and adds the circuit board previously used on the Standard, along with Traditional aka nine-hole weight relief. At ÂŁ900 cheaper than the Standard, the 2019 Classic is essentially a stripped-down Les Paul before you drop to the Studios and is offered in Honeyburst as here or Gold Top - it was originally also offered in Ebony and Heritage Cherry Sunburst. Outwardly, all three of the 2019 models share the same construction one-piece neck, headstock widening wings and two-piece centre-joined backs. The Classic features a A-less plain topâ and â61 Zebra open coil Classic name has been applied to various-spec LPs since it appeared back in 1990, then in a highly vintage spec. Todayâs more cost-effective dress, with its plain maple top, evokes a more 70s Deluxe style, enhanced by the metal-topped knobs. Unfortunately, that perception is reinforced by its weight, which makes it the porker here despite its Traditional Weight Relief at a whooping Grover Rotomatics reference one of the most common LP mods and we get a no-wire ABR-1 tune-o-matic. Likewise, the âboard appears very dry and with such low-profile frets you do really feel the âboardâs surface more than you would with a higher wire. String height is identical to the others and neck relief sits between the two. SoundsThe Classic has an initial response that all points to a strong plugged-in performance. The Classicâs neck feels very similar to the recently-reviewed Standard, despite the differences, but the weight has a big impact, particularly on the hugely unbalanced feel played seated. Of course, if that doesnât bother you, you might be on to a winner here as itâs a great player as supplied. Like any classic design, what you hear coming out of your amp might not be your idea of a great Les Paul tone, yet playing these three weâre hearing wonderful and subtly different flavours. It might well be that the Classic has the bite and power you like with more lower-end grunt than the others. Thereâs a little more nasally P-90 flavour, a slightly cocked-wah voice that provides a grainy texture, especially with some crunch and Marshall-y gain. Running the Classic with both pickups in tap mode is quite something; experiment with the phase switch with both pickups on to hear it. If only the damn thing wasnât so heavy... The rather dowdy-looking Classicâs fundamental flaw is its colossal weight in a different colour and with a lighter weight it might be game on, but thatâs not whatâs here. Plugged in, is where the Classic drops in heft and grunt aplenty but with enough clarity to access older snappier and soulful voices. It will no doubt be a while until new Gibsonâ settles in and has a noticeable effect on the instruments we can buy. These interim models, however, are three strong dishes that employ existing features weâve seen before, albeit not in quite the same the horrors of roboticâ tuners, over-wide necks and zero frets now pretty much consigned to the past, these three zone in on the Les Paul in classic style Traditional, sonically expanded Standard and affordable Classic shades. They need a little TLC, which weâd hope would be undertaken before theyâre sold, but theyâre tidy, not over-priced and have the right name on the headstock. They might well be quite historic models, too the end of an era. Just as we conclude our test at the start of 2019, the new Gibson management announced there will apparently be a completely new 2019 range of Classicsâ.âDesigns like the Les Paul and the SG once again embrace the features and construction details that made them legends in the first place a Les Paul Standard â50s spec and a Les Paul Standard â60s spec as well as one with P-90 pickups,â says Cesar Gueikian, Gibsonâs chief merchant officer. âThe Contemporary line also introduces a new concept with the Les Paul and SG Modern.â These new ranges âwill be available for purchase later this yearâ. What that means for these original and clearly short-lived 2019 models that are in-store is anyoneâs guess, but we suspect as the year progresses there will be deals aplenty to be had 2018 models are already discounted in many stores. Whatever happens while the dust settles, it looks like 2019 is going to be quite a year for Gibson lovers. Watch this space! Dave Burrluck is one of the worldâs most experienced guitar journalists, who started writing back in the '80s for International Musician and Recording World, co-founded The Guitar Magazine and has been the Gear Reviews Editor of Guitarist magazine for the past two decades. Along the way, Dave has been the sole author of The PRS Guitar Book and The Player's Guide to Guitar Maintenance as well as contributing to numerous other books on the electric guitar. Dave is an active gigging and recording musician and still finds time to make, repair and mod guitars, not least for Guitaristâs The Mod Squad. Most Popular
Home Forums The Guitar Epiphone Guitars You are using an out of date browser. It may not display this or other websites should upgrade or use an alternative browser. Epi LP,s made in indonesia Thread starter tony2911 Start date Jul 1, 2020 Joined Sep 9, 2019 Messages 13 Reaction score 2 1 Hi Peeps, what do you folks think of the quality of Epi LP,s made in Indonesia Joined Jun 7, 2017 Messages 6 Reaction score 1 2 My only Epi/Indo experience would be with my 2018 Sheraton ll Pro. If the quality of that guitar is any example of what the Indonesian plant is producing, you should be very happy with the LP. Joined Jun 8, 2016 Messages 1,809 Reaction score 2,803 3 Unlike china, Indonesia makes some very nice Guitars. Well that's just a silly thing to say. If you played one from each country side by side, I'd wager a large amount that you wouldn't have the slightest idea which one was made where unless you knew beforehand. Epi has their own dedicated factory in China now and makes some fantastic guitars these days. CNC machines don't know what country they are in. Every factory puts out a lemon every now and then. Have you some of the pieces of shit that have come out of the Gibson Nashville plant the past few years? I have 3 Made in China Epis, 2 Made in Indonesia, and 2 made in Korea. I love all of them. Judge the guitar by the guitar, not by where it was born. Don't say dumb shit. BTW, welcome to Epi-Talk Joined Jan 16, 2015 Messages 7,554 Reaction score 9,281 Location Kraut-Territory 4 Unlike china, Indonesia makes some very nice Guitars. ...... Countries don't make guitars..... companies and their employees make guitars Epiphone has their own two factories in China since ~2003 Samick produces for Epiphone since ~1985 in Korea and for at least two decades in Indonesia. they make 'em as good as they are allowed to do for the $$ if they didn't write 'made in xxx' on the guitar, most of us could not tell where they were made.... It just goes to show that free people being paid a fair wage do a better job than those condemned to labor in a factory prison! you can have a look and a bit of reading about those Epi-factory prisons here.... and Welcome here âŹpiTalk Joined Jul 12, 2016 Messages 3,364 Reaction score 3,902 Location Maryland, USA 5 It just goes to show that free people being paid a fair wage do a better job than those condemned to labor in a factory prison! Yes. Just imagine how productive Ted Bundy's murder victims would have been, had they lived to work and earn a fair wage. Seriously, WTF is up with your avatar? Joined Jan 16, 2015 Messages 7,554 Reaction score 9,281 Location Kraut-Territory 6 China is an aggressive communist country. With a track record of human rights violations as long as the great wall. Don't kid yourself. My point is simply this, NO guitar company goes to China to build their Top line guitars. Not true with other Asian countries. I believe Epiphone went to Japan to build the Elitist Series for a reason. I don't really care about your political view on China And remember it was the US located CEOs who decided to move the production to China The reason Epi moved production to Japan was back then Japan was what China is today - cheaper than US Ever heard of Eastman guitars ? High end made in China Joined Dec 7, 2015 Messages 3,352 Reaction score 4,038 Location Fort Collins, CO 8 Nice to meet the board bullies right off the bat! There are no "board bullies" here but there are those of us who are willing to step out and correct personal opinions stated as unsubstantiated fact as you did. So allow me to add yet another correction. The current Squire CV line are primarily former Vintage Modified models whose specs and appearance have been modified to replace the former MIC Squier CVs. The VM line has always been built in Indonesia and though good instruments in their own right have always been considered a notch down from the MIC CVs. What it all boils down to as Paruwi posted is cost. US mfgs like Fender who contract with Asian mfgs to build guitars and basses for them ask for an instrument they can buy for $$$ and sell for $$$$ to earn a profit at an established price point. For the CV line Fender's retail price limit appeared to be $400 for the majority of those models. When the cost of manufacture in China began to require pricing higher than $400 to retain the same profit margins for Fender and it's distributors and dealers production was moved Indonesia and VM models with slightly altered specs and finishes replaced most of the former MIC models. This is fact. Unlike Fender, Epiphone owns it's own Chinese manufacturing plant so ultimately they have complete control of cost and quality. And unlike Squiers the MIC Epiphones are also inspected here in the US before being shipped to dealers to assure the best QC they can provide. This is also fact. So......I believe what we're trying to say is that your post is based solely on your own opinions which are not based on substantiated facts. And if workers being paid a fair wage in a free society make far better instruments then why has Gibson struggled so much with their own QC issues on models costing many times more than their import cousins? You are certainly entitled to your own opinions but that doesn't make them true based on fact. Joined Dec 7, 2015 Messages 3,352 Reaction score 4,038 Location Fort Collins, CO 9 China is an aggressive communist country. With a track record of human rights violations as long as the great wall. Don't kid yourself. My point is simply this, NO guitar company goes to China to build their Top line guitars. Not true with other Asian countries. I believe Epiphone went to Japan to build the Elitist Series for a reason. The first statement is quite obviously true. The second may be true to an extent but it's not an absolute when you consider that many US companies have top of the line product built in China and I own some of it. In some cases where the traffic will bear because a much higher price can be charged a US company may elect to have an instrument built in Japan but then those models you mention have always been built in Japan. Some high end models from other US companies are also built in Korea and Indonesia by the very same companies who build their budget priced models. So in reality few if any absolutes actually exist. Joined Dec 7, 2015 Messages 3,352 Reaction score 4,038 Location Fort Collins, CO 10 I changed it just for you! I won't want any snowflakes to be offended. Ah ha, me thinks your politcal persuasion is now showing and we try hard to avoid that here. But if you'd like my opinion it seems to me that based on all the whining and wailing I hear from your side the true snowflakes are you and you're melting fast as this summer is showing. So please do depart. Joined May 2, 2019 Messages 82 Reaction score 105 Location CenTex 11 DavidSG, I think posts 7-11 pretty much earned you the responses you received. It's fairly obvious that you are one of those individuals who has a political bone to pick, especially considering the hyper political "snowflake" comment. If you thought that your politics would be welcomed into this guitar forum, you thought wrong. On that note and without further ado Joined May 4, 2020 Messages 123 Reaction score 194 14 The only reason there may be slight quality differences on guitar made in other parts of the world is... the managing bodies CEO's board of directors, upper management, etc, etc decided to only allow those guitars to be built with wood, hardware and electronics that fit their pricing paradigm. They choose from their management seats to limit the quality of guitars on purpose. As far as the OP's question about Indonesia-made guitars... they have been doing high quality wood working in Indonesia for centuries. Long before there was an Orville Gibson, Leo Fender, or Paul Reed Smith. Wood working is part of their culture. Google has plenty of info on the wood working and furniture making industry in Indonesia The geographical location of a guitar shop has zero to do with what quality of guitars are made in a factory within that country or location on the globe. The managing body that owns and operates the factory dictates the quality control and materials used inside the factory. So, if we send folks to Mars, then send them luthiers, and now we say "Martian guitars suck" only because they are maqde on Mars, what sense does that make? It has much more to do with the supply chain and decisions upper management makes that makes the overall end product. Globalization is a big 40 dollar word that means in part somebody knocked down the trade door to places like China and many other third world countries. There is something of value in these countries that appeals to businesses. Profits. The savings is, among other things, because the price of human resources in a third world country is way lower than trying to convince American workers to work for those levels of pay. I don't know exact labor statistics but I get the general idea that... a trained luthier in the USA might make I'm guessing $25-30 dollars an hours, plus demands benefits like health insurance, paid time off and vacations, etc, etc. Labor in America is very high compared to third world countries. So, with the trade door wide open with China, and BILLION people to employ, China becomes a target for saving a BUNCH of money on human resources labor costs. As does the price and cost of labor in many other countries in the world. Which may be why less guitars are Made in Japan now, because Japan's labor price has went up. I'm just gonna throw out a figure, but it is something like this... In the USA you have to pay a skilled craftsman $30 + benefits... I don't know the exact wage savings, but let's say in China or Indonesia people will work for $ an hour. Plus they will work 14 hour days, 7 days a week, never take vacations, and don't get a huge benefits package. In that scenario the company that owns the factory and sells the guitars back in the USA or world wide has way more hours of production per week, and is getting the products for pennies of the cost of labor. I think a more important question is how could a company like Gibson charge a ridiculous amount like $4, for a Les Paul Custom, and allow products to hit the sales floor with even ONE TIME having some kind of quality issue?? A guitar at that price should have been built by the hands of God and angels. It should be perfect... every one in that price range should be perfect. But instead they are simply a man made product and since man is not perfect, neither will the things he makes with his hands be perfect. I have this for an idea... let's take off the gloves and allow Indonesia and any other third world country that makes guitars the same exact quality of wood, hardware and electronics the USA Gibsons are allowed to use. I think the work ethic in these countries is much higher than what we typically see in the US worker. I think their love to HAVE a job drives their job satisfaction level. They live in very poor countries and don't have many of the things we take for granted in the US. As an observer, the typical US resident is full of "entertainment-itis" I call it. Whereas if you had tonsillitis or appendicitis a part of the flesh would need to be cut out to save the body. Americans tend to worry more about what sports team or what level they got in their newest X-Box game more than what type of work they placed over the counter at the factory. Entertainment is something Americans seem to hold more dear than any other aspect of life. What movie to entertain themselves with next, what new phone to buy so they can entertain themselves with a new phone, what big screen TV they can buy so they can watch their favorite entertaining sports team in vivid color. Not everyone, but this is the culture of people making guitars in America. Folks who come in late on Mondays and want to leave early on Fridays. I worked in the production/factory trades for a better part of my life and that is my observation of the typical American worker. Plus its my opinion from my perspective. I didn't work in the auto factories, but I grew up in Michigan and just about every family member I have worked in the auto factories. Places where you can go off in the corner and sleep and can't get fired because the Union UAW will protect you. One of my best friend's husbands would have somebody punch his time card for him at the factory, and be at home all day doing nothing, and getting paid for nothing. Meanwhile the cost of labor at the unionized auto plants has sky-rocketed as has the price of automobiles. Ten times the ridiculous price Gibson charges for a Les Paul Custom. As far as Asian-made guitars I have a bunch of them and I love them all. I have USA-made stuff, too, but I am more in awe of the Asian-made stuff because the price makes it a lot of fun to have several guitars rather than one guitar you're afraid to play because it might get scratched. I'm not really thrilled with the sound of the electronics from the Epiphone brand. But what I am thrilled with is the price I can find them on the used market, then I take that guitar and make it into something I am very proud to have changed. For example... I gave $150 for this Epiphone Les Paul Traditional Pro with an Epiphone hard LP case... It had lots of issues. No pickguard, no strap buttons, the Alnico Classic and Alnico Classic Plus pickups sounded like trebly, ice pick bee poop. One of the knobs was broken, and one of the push/pull pots didn't work. Plus, when engaging the push/pull for coil split on the pickup that did work, the pickups were so much ice picks there was little difference in tone, LOL. So, I drove down there as fast as I could before someone else saw the ad for this guitar for $150 on Craigslist... got a pickguard, installed Dunlop strap buttons, gutted all the electronics toggle, jack, caps, pots, wires as well as the ice pick pickups. Replaced the pups with Dimarzio John Petrucci Dreamcatcher bridge and Rainmaker neck. Wired the new pots 50's style... Now this is one helluva guitar, its dinged up plenty already so I don't fear playing it, and it has IMHO better tone than a $4,700 Les Paul Custom... I call this one "The Holy Trinity" as the pickguard I found at GreasyGroove has the Father, the Son, and the Holy Spirit in the form of a dove. Then there is the Epiphone Les Paul Custom I found at the pawn shop for $285. It had rusty crusty strings and was in need of a new home. Brought it home, discovered it needed a new output jack which is why nobody had bought it, soldered that in, now I have another project waiting to happen. Thinking maybe this time Dimarzio 36th Anniversary PAFs, we'll see. As if I don't have enough black/ebony guitars, just got this Epiphone Dot from the pawn shop. $200. The strings were corroded and looked like it had been sitting somewhere not played for years. It needed a new home... Thinking either a Seymour Duncan JB bridge/Jazz neck set, or maybe a Seymour Pearly Gates set have Alnico 2 magnets like the Gibson '57 Classics for a lot less money... '57s with 4-conductor wires are $200 EACH on the Gibson page... NOT... But this one, made in Indonesia just takes the cake... a 2011 Epiphone Nighthawk Custom Reissue... spotless and mint as they come, still had the little washer thing on the tone knob... $200... absolutely gorgeous made-in Indonesia quality... 5-way switch and tons of tones, wouldn't change a thing on this one... this one among others has made me an Epiphone convert out of a previously American-only snob... Last edited Jul 11, 2020 15 I'm am leaving this board. It seems piling on and trolling rule here. I have no desire to be part of a board where honest discussion is not tolerated, and "don't say stupid shit, is." Tell Karen we said she should stay home too! Why do people trolls feel the need to announce that they're leaving? At the risk of repeating myself Joined Dec 7, 2015 Messages 3,352 Reaction score 4,038 Location Fort Collins, CO 16 Well said Jam Handy. I'll just add one more thought relative to labor costs. We live in a capitalist free market nation and our basic cost of living is much higher here than it is in many Asian nations where some basic human needs such as health care are not provided by a consortium of for profit corporations selling insurances, drugs, hospitalization, surgeries, etc. which make our basic health care costs outrageous and increasing at a far greater rate than we can easily cope with. To that you can add many other basic human needs being provided completely or via heavily subsidized government intervention and control of availability and cost. Asian nations more like our own also have higher labor costs so much guitar manufacture has often been moved away from those nations to those with lower labor costs like Indonesia or India. But they still build what we pay them to build. Throw in currency valuations as yet another major variable and you have yet another element why US designed guitars are often built in Asia where they can be produced far cheaper and a strong dollar buys more quantity and quality than it can buy here. Like it or not our capitalist world can't compete with theirs in terms of building something like a guitar far cheaper than we can and we will never again "catch up" or compete with this unless we somehow design and build robot guitar builders who don't eat. sleep, or require health care and retirement/pension plan benefits, cars to drive, or houses to live in. This isn't meant to be a political lecture it's simply an "it is what it is" statement of facts. Last edited Jul 13, 2020 Joined Mar 14, 2020 Messages 2 Reaction score 2 17 Well said Jam Handy. I'll just add one more thought relative to labor costs. We live in a capitalist free market nation and our basic cost of living is much higher here than it is in many Asian nations where some basic human needs such as health care are not provided by a consortium of for profit corporations selling insurances, drugs, hospitalization, surgeries, etc. which make our basic health care costs outrageous and increasing at a far greater rate than we can easily cope with. To that you can add many other basic human needs being provided completely or via heavily subsidized government intervention and control of availability and cost. Asian nations more like our own also have higher labor costs so much guitar manufacture has often been moved away from those nations to those with lower labor costs like Indonesia or India. But they still build what we pay them to build. Throw in currency valuations as yet another major variable and you have yet another element why US designed guitars are often built in Asia where they can be produced far cheaper and a strong dollar buys more quantity and quality than it can buy here. Like it or not our capitalist world can't compete with theirs in terms of building something like a guitar far cheaper than we can and we will never again "catch up" or compete with this unless we somehow design and build robot guitar builders who don't eat. sleep, or require health care and retirement/pension plan benefits, cars to drive, or houses to live in. This isn't meant to be a political lecture it's simply an "it is what it is" statement of facts. Very much agree. Just the facts. Home Forums The Guitar Epiphone Guitars
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